(Written before our trip to Normandy. The poetry focuses around the Eiffel Tower, my favorite although cliche spot in Paris. My grandpa fought on the beaches of Normandy up to the liberation of Paris, which is why it held such meaning to me.)
10/24
And foreign warmth,
uncomfortable comfort
before metal arches and
flashing kodaks and the jingle of china toys and
popping corks. A mile of metal bridges
scaling the darkness, shading stars with
waves of her own supernovas
as I feel the ancient winds come
from drunken piss-stained banks
and smile
against cold handlebars
and foreign warmth in a shadowed place.
before metal arches and
flashing kodaks and the jingle of china toys and
popping corks. A mile of metal bridges
scaling the darkness, shading stars with
waves of her own supernovas
as I feel the ancient winds come
from drunken piss-stained banks
and smile
against cold handlebars
and foreign warmth in a shadowed place.
11/5
Her peak reposing
in angel's sheets and
swan feathers, feet
cold and damp, raindrops clinging
to her shoulders and awaiting dawn.
in angel's sheets and
swan feathers, feet
cold and damp, raindrops clinging
to her shoulders and awaiting dawn.
11/12
Sa vue, s'est couchée
par les vents d'un couple
qui marchait, jouait
avec l'amour qui souffle
dans l'espace qu'elle voit.
par les vents d'un couple
qui marchait, jouait
avec l'amour qui souffle
dans l'espace qu'elle voit.
10/19 - On the bus to Normandy
I have such
expectations. But I’m not on this trip with the right people. I want my mom to
be with me. She knows how much it touches me. She knows what this means.
This morning, father
and blonde-haired young daughter with a blue suitcase in between them, miles
and expectation on the girl’s face.
How do you piece
together someone from their face?
Let the sun rise and
spread light across tilled fields and red shingled towns and huddled trees that
embrace the mountainside. Let my eyes close, but only for a little while.
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